As it seems, Monstres par Excès survived the ominous five-year anniversary and enters into a new quinquennial plan with both continuities and breaks. These are days of widespread leakages: storms rumble overhead, weighing the Hong Kong air with lazy lightnings and a sticky mist; surveillance apparatuses crack open along the lines of their human factors, and all of a sudden the decolonized city appears as the safe heaven for a speech that lost its will to fight. Hence it is time for us to contribute to the leakage of sounds, the leakage of pipes, the leakage of action, and we do so with the fourth instance of our Disgiunzioni series: this time, the confrontation is triangular, and crosses two border at once - enemies and barbarians to each other, we defend our corners through personalized occupations of industrial spaces.
In other words, 大小, Naturalismo and Sin:Ned captured in a dischordant disjunction back in Autumn 2012.
If this follows a too well-known route, then the new breakages will stir your interest. Due to spatial and organizational factors, Monstres par Excès initiated a hopefully proliferant allegiance with the equally underestimated and repudiated Lips Infection records, planning to take part as a silent stakeholder in selected releases and projects dealing with unexperimented materialities. Again, in short: we have a new lathe cut out, and more turntablable artifacts are in the pipeline. This one is a cozy ambient gem by 王长存, just about the right fix for the moody breakdown in any living room storm-gazing DJ set you might ever want to have.